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Archive for the ‘Fox’ Category

Phabulous Philly

Hola, friends! This week we move on to Philly and with Clay Aiken in attendance — how can we lose? Clay’s never at a loss for words, especially when he’s at is snarky best. It’s also nice to see the show paying attention not only to winners but those who made a big splash in music/entertainment without having the title.

My only burning question of the night is — what’s with Harry trying to rock the white t-shirt a la Simon Cowell? Please don’t give into the dark side, Harry! You will NEVER be Simon and that’s a good thing!

Ok, then – let’s see who impresses the judges on this stop:

Gianna Isabella — 15 — Jackson, NJ — House of the Rising Sun
Mom is Brenda K. Starr (80’s pop star – I Still Believe)
Reminds me a little of her mom – big, strong voice
pretty vocal colors when not screaming (why do they all try that?)
hopefully not too young – would like to see her survive Hollywood

Derek Huffman — 21— Coventry, RI — Angel in the Morning
Obviously NOT a Claymate (or even someone who as actually watched Idol)
1st to bring in a boombox as accompaniment
Not great vocals
Reminds me of too many kids I’ve bumped into in RI

Issac Cole — 15 — Emlenton, PA — ?
The country version of the Bebs
“acappella song with guitar”
I think he’s too young — voice needs to mature
Harry gave him great advice but they shouldn’t have put him through

Sarah Strum – 17 – Centerville VA — Lips are Moving
bright, bubbly and full of personality
she has a solid but young voice
confidence a mile long

Ellis Banks — 25 — Indianapolis, IN — Born This Way
a Nicki Minaj impersonator? Ouch!
Didn’t do GaGa an justice at all

Jenn Blosil — 23 — Brooklyn, NY — Radioactive
Very nasal but a unique sound
Quirky, free spirit
Can’t figure her out — is it an act or not?
Hollywood will sort it out for sure

Harrison Cohen — 17 — New York, NY — No Time original
good guitar player and the song is really good
not a bad singer – a little on the boy band side mixed with Jewish runs

John Arthur Greene — 27 — Raleigh, NC — Somebody Like You
one heck of a backstory but great attitude
Broadway Baby but really didn’t sound that way
nice voice and great stage presence
credit for singing a Keith Urban tune

Carry me back Denver and Little Rock

Something tells me they saved the crazies for the second week of auditions and if the coming attractions are any indication there will be even more next week. Great… (sarcasm) Let’s not worry about that now and take a look at this interesting group:

Amber Lynn — 28 — Provo, UT — ?
a little Ricki Lee Jones like with a lot of soul
just ok for me

James Gray Dawson (the 8th) — 23 — Provo, UT — Sun Comes Up
I don’t like the faces he makes but the voice is good (yet somewhat affected)
good guitar player

Emily Wears — 25 — Solon, IA — Bring on the Rain
professional auctioneer – not bad, either
pretty little voice but slightly under supported at the beginning (nervous?)
got better as she felt more comfortable but I agreed she shouldn’t go on

Chris “CJ” Johnson — 28 — Memphis, TN — Make My Dreams Come True
working musician
yes, he’s a guy with a guitar but he was really engaging going old school with a Hall and Oates song
good voice

Ethan Coots — 15 — Nashville, AR — Stormy Monday
breeds American Fox Hounds
Blues/Southern Rock
VERY young voice but he does feel the music
needs a lot of work, however
a really tough one – even the judges were torn on this (I agreed with Harry that he is too young for AI)

Mary Williams — 23 — Belfast, TN — ’Til I Can Make It On My Own
definitely an old school country singer
nice, warm sound and a good delivery
Even though Keith didn’t like her I’m glad they put her through

Xavier Soller — 26 — Newtown, KS — Friends in Low Places
(one of my favorite songs 😉
great personality but pretty affected (almost sounded like an imitation)

Terrian — 18 — North Memphis, TN — Happy
a real natural singer with a sincere, warm voice

Leann “Blue” McIsaac — 23 — Traveling Nomad — original
she actually had a decent voice but too colorful for this show

Tommy Stringfellow — 17 — Bentonville, AR — Gimme Love
Nice, easy, true tenor voice
just different enough to make it through

Tywan “Tank” Jackson — 29 — Ashtabula, OH — Superstar
if it can work for Ruuuuuubin it can work for this boy
he was a little out of breath so he shouldn’t have busted a move
before he sang
not a bad sound – smooth tone on a big voice

John Wayne Schulz — 27 — Salt Lake City, UT – The Dance
I DID remember him (Season 10) and now with a heartbreaking backstory
still sounded as good as I remembered
great performance

Leah Harbert — 24 — Moriarty, NM — Chain of Fools
She lost me at rewinding and singing to a Brittany Spears cassette – ouch!
Was there even a melody present???

Jordyn Simone — 15 — Los Angeles, CA — Who’s Lovin’ You
Whoa!!! That was really unexpected
A real natural singer and performer – an old soul

Kassy Levels — 17— Dallas, TX — ?
good performer but highly affected from what little I heard

Rhea Raj — 18 — Princeton NJ — How Will I Know
different take on the song but voice was a little weak

Jake Dillon — 22 —- Sandsprings, OK — Danny’s Song
such an easy voice to listen to and thank you, Keith, for sending him through – he may just be a dark horse ***

Ashley Lilinoe — 20 — Kane’ohe, HI — Black Velvet
she sings with clenched teeth and I was not impressed
can you believe I agreed with J-Lo?

Andrew Nazarbekian — 20 — Moscow, Russia — To Make You Feel My Love
Too much vocal calisthenics but he has a really pleasant voice when he sings it straight

Elvie Shane — 27 — Caneyville, KY — House of the Rising Sun
They bookended this show with this number – oy!
But this guy was really smokin’ – a barroom singer but highly engaging
***

So, my watch list for Hollyweird continues to grow – here’s who I added on after this week’s tryouts:

Harrison Cohen
Terrian
John Wayne Schulz
Jordyn Simone
Jake Dillon
Elvie Shane

Let me know who you liked and passed on this week and whether or nor you’re agreeing with our judging panel by adding your comments to the comment box. Next week will be the last 1st round auditions before the Hollywood phase so we’ll be going back and forth again between the five cities. Personally, I’d rather we concentrate on one city at a time but what do I know… 😉

See you all next week!

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Just go here to catch up on the latest!

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Come one, come all! The Live Blogging experiment continues tomorrow night at 8pm EST/7pm CST/5pm PST. Just click here and join the fun! I make lots of irreverent comments, take polls, show videos, and everyone can add their own POV to the proceedings. What better way to watch IDOL than with others!

See you there — carry on!

J

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…I’ve decided to post this comment that was left in my ABOUT section so that all could be informed.  I am aware that the Writers’ Guild is about to strike the TV industry on 10/31 unless a contract agreement can be reached.  Since I am a writer of sorts and a creative artist by trade, I can certainly understand their position on fair and just compensation.  If someone from IDOL would like me to publish their side of the story, I’d be happy to do that as well.  Somewhere between the two should be the truth of the matter.    J

THE DARK, UGLY SECRET BEHIND THE COMPANY THAT BRINGS YOU “AMERICAN IDOL”

A recent New York Times article headline read: “FOR FOX’S RIVALS, ‘AMERICAN IDOL’ REMAINS A SCHOOLYARD BULLY”.

Jeff Zucker, chief executive of NBC Universal said in the story, “I think ‘Idol’ is the most impactful show in the history of television” and Kelly Kahl, the chief scheduler for CBS said, “This is a big monolith sitting out there. It’s the ultimate schoolyard bully.”

Bully indeed.

FremantleMedia, the company that produces “American Idol” for FOX, is a worldwide leader in television production, enjoying tremendous international success. They produce relatively inexpensive, popular US programming — including the lucrative “Idol” and “The Price is Right” — while refusing to offer decent wages and benefits to the writers working on their shows. (Yes! Even “American Idol” has writers!)

The latest example of Fremantle’s blatant, disrespectful treatment of professional writers occurred on their new game show “Temptation”. Writers were required to work excessive (12-14) hours daily in order to produce 170 shows in 16 weeks. They did not receive health insurance, pension contributions, standard wages, overtime, residuals or proper screen credits.

Despite numerous requests over the years from the Writers Guild of America (WGA), FremantleMedia still refuses to comply with industry standards. They continue to exploit the writers who contribute to the success of the shows that rake in millions and millions of dollars for them.

Because of their blatant arrogance and disrespect, a petition is being circulated among all WGA members and their supporters, urging them to refuse work with FremantleMedia and its subsidiaries.

The campaign, including public demonstrations, will continue until FremantleMedia treats writers fairly by applying and enforcing industry standards on all of its productions.

How can you help?

To pledge your support, simply click on the link and electronically sign the petition, which will be hand-delivered to FremantleMedia. Deadline for all signatures is Monday, October 22.

You don’t need to be a writer to sign the petition — just a conscientious person who believes that media corporations should not be allowed to take advantage of the creative services provided by hard-working writers. Thanks for your support!!

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