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Posts Tagged ‘Clay Aiken’

**Note: Because of my changing and unusual work schedule I might not get to post my reviews immediately after each episode. Please don’t hate me for that. Just keep on checking back to the blog and I’ll get them up there in a day or two. Thanks for understanding!

Night two of the AI Season 9 auditions finds us back in the city that brought us Clay, Fantasia and Jennifer Hudson. Other than the quick shot of the guy in the sumo suit I had high hopes for the talent at this venue. I discovered quickly that this would not be another banner year for this otherwise fruitful stop on the AI audition train.

Here’s what I heard and saw from my red comfy couch on this evening:

Dewone Robinson – are all the first auditioners going to suck this year? Oh Laty….laty…it’s over…go away now…

Keia Johnston – a little bit of a screamer but a nice overall sound. Won’t get past Hollywood, however. Needs help in the wardrobe department for sure.

Miriam Lemnouni – a Faith Hill clone that should quickly get dismissed in Hollywood’s first round.

Noel Reese – a bright sounding Whitney Houston clone. Another first round dismissal.

Tisha Holland – is this her second time around? Actually, after consulting the AI website, she’s been down this road a couple of times before so that’s why she looked familiar to me. However, this time her soulful and warm vocals got her the golden ticket. Now let’s see what she can do in Hollyweird.

Jermaine Sellers – this year’s Danny Gokey is a very smooth and skillful singer. Should make it through Hollywood unless he hits a huge bump, like not being able to sing well with others.

Christy Marie Agronow – don’t quit your day job, honey, ‘cuz you’re already on TV. That may have been a poor career move as well.

Vanessa Wolfe – has a definite Dolly Parton vibe to her and a decent voice. Great poor girl backstory – a Tennessee Eliza Doolittle. Hubby likes her a lot – I just hope she can survive Hollywood. But she is what this show is really all about – finding raw talent.

Jesse Hamilton – bad luck, bad teeth and I could smack Mary J. Blige for laughing so much. In fact, they all lose points, including the production folks, for their treatment of this simple chap. I hate these auditions the most.

Holly Harden – it’s Kellie Pickler 2.0! (ugh!) but she actually has quite a good voice. Another good ol’ country girl that I hear did NOT make the Hollywood cut. Oh well…

Lathan Davenport – I thought this one was a girl until I looked a little closer to the name. Ouch!

Hansel Enriquez – what’s with this dude’s name? (Does he have a sister named…never mind…) Nasal and no hope for advancement.

Blake Smith – Miss Spears may have changed his life but not for the better.

Mallorie Haley – definitely a country version of Janis Joplin and I kinda like it because she wasn’t screaming the lyrics. Hollywood bound and I hope she can stick it out because I would like to hear more from her.

Antonio “Skiiboski” Wheeler – he walks the talk but he’s so full of himself that he gets in his own way. I’m with the Brit on this one. I hope Hollywood trips him up big time.

Lauren Sanders – too soft and shallow a voice for this competition

Carmen Turner – a Kelly Clarkson clone with a limited vocal range – she won’t last long in Hollywood.

Bryan Walker – a singing cop backstory – he scared me a little when he said he was singing a la Ruben but he has pretty good chops. A little too much vocal calisthenics for me but he might just do well in Hollywood

Lamar Royal – a very angry singer who looks waay older than his is. I also hate it when they can’t take constructive criticism.

General Larry Platt – a very funny end to the night and probably going to be a very popular You Tube video. We should see him reprise his song at the finals.

OK, that’s my take on this group. Who do YOU think has a chance so far to GO.ALL.THE.WAY? Drop me a comment and let’s get the discussion going! Later, Idolites!

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Neil Diamond night, eh? Ok, he’s not one of my favorite performers but I have liked a lot of his songs through the years and our Idols did a decent job overall with the ones they chose. Tonight’s format was a little different and I did like the fact that the judges had to wait until after the second performance before they could comment. I did keep down on the insane commentary but it left poor Paula a tad confused.

It doesn’t take much, does it?

BTW, I hear she wants to be a contestant on the next season of Dancing with the Stars. That would be interesting. Maybe Clay Aiken could be one as well and then THAT would make for interesting TV – a former Idol and a judge battling it out for a mirror ball trophy. Interesting…

Anyway, let’s get right to that view from my comfy red leather couch for this week, OK?

Jason Castro

Forever in Blue Jeans

Is it me or does this boy have no stage presence whatsoever? It’s not that he’s just phoning in the performances but that there is just no “ummph” to them. Don’t get me wrong – he has a pleasant enough voice and the little tweeny girls love him to pieces but that alone does not an Idol make. On the positive side I will say that his lower register is in fine form and he should use it more often instead of just staying in his breathy head voice. It would give him more vocal colors to choose from rather than singing one dimensionally like he has been the past month or so.

September Morn

Does he even know the tune to this song? Or was he overly pitchy in spots? I just couldn’t tell. He is just waaay too laid back for me but it’s also beginning to look like he really doesn’t care to be there. Or maybe he knows he doesn’t have to try so hard because his fan base will keep him there no matter what. Personally, I believe his 15 minutes are up big time but I may not get my wish due to tweens with cell phones who are texting their fingers off. If there IS a God…

David Cook

I’m Alive

Gutsy choice! I haven’t heard this one in a long while and he did great! He really tried to take the path less traveled when it comes to choosing music and it pays off for him each and every week. It sounded like even Neil was impressed with both his choices and his interpretations – it’s good to get the mentor on your side early!

All I Really Need is You

He seems to have captured the spirit of Neil’s songs even though he puts his own spin on them – THAT’S the mark of a great musician! He is really making me a believer! Should be safe yet again and firmly on his way to the finale.

Brooke White

I’m a Believer

Ok, Mr. Cranky Brit – it was NOT a nightmare. Far from it. BUT, because she chose to hide behind her guitar, it wasn’t as good as it could have been. The song’s limited vocal range did nothing for her vocally and for the first time she may have been trying too hard to be perky. I think she is tiring of all the phoniness on the show and it’s starting to show in both her performances and in her response to whatever negatives Simon throws her way.

I Am…I Said

She did much better on this song and, it should be noted, she didn’t drop a lyric in either on this week. I thought the song’s tempo was a little faster than I like it but that could have been the producers’ doing and not hers. She should be in the bottom two this week and might be listening to Ruben’s song by the end of Wednesday’s show if Jason’s fans have anything to say about it.

David Archuleta

Sweet Caroline

He had to stay away from the ballads this week and attempt the up-tempos and he chose two of the biggest ones in the songbook in which to do just that. He sounded really good on this one and probably won every Red Sox fan’s vote in the process (the song is played during the eight inning of every home game – “whoa, whoa, whoa!”). This was the strongest vocal he’s had in the last few weeks so it looks like he’s gearing up for the finals.

America

Shades of Kristy Lee Cook! I was hoping this would have been the group number because I wasn’t sure I wanted to hear one of the contestants take it on. He did well but it kinda boarded on cheesy for me. It wouldn’t have matter who sang the song it would have had the same effect on me. He’s so safe he might have to end up in the bottom two just to shake up the fans.

Syesha Mercado

Hello Again

This gal has turned things around and for the last few weeks has really come on strong – she is in it to win it, even though I think her best finish will be third. Hey – it worked for Kim Locke! She showed her sweet, controlled vocals on this song and without too much gymnastics, conveyed the empty hopefulness of this song quite well. I really liked it.

Thank the Lord for the Night Time

It was a great way to end the night and go out on a high note. She took on an early hit and made the audience stand up and take notice. But please, don’t keep harping on the “Broadway” bandwagon with her because that could hurt rather than help her. She should be safe but then it really could go either way with her, depending on her fan base, or lack thereof.

With all that said and done, my choices to occupy those uncomfortable chairs for this week are:

Jason Castro

Brooke White

with “das boot” going to Brooke White even though it SHOULD go to you-know-who. With my gal Carly gone my allegiance has switched to Cookie but I’d watch out for Syesha who is the real dark horse of this season.

Carry on!

J

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This will be another quick review week because I definitely felt that this was going to be a boring night of singing and I wasn’t wrong in my assumptions. To say that the Mariah Carey songbook is limited in scope and difficult for anyone to sing except for the Diva herself is an understatement and unfortunately our Idols had some tough times with the music. Interestingly enough, the guys had it better than the gals but they had to dig deep inside there musicianship to do so. The gals got the predictable “you must not sound like the original” and to that I say – DON’T HAVE THESE TYPES OF NIGHTS IF YOU DON’T WANT TO HAVE TO COMPARE THEM TO THE ORIGINAL SINGER! Maybe it’s a seven-year-itch or something but I’m getting more than weary with the predictability of the judges AND the producers of this show. There needs to be a real shake up somewhere but since I obviously know nothing about such things, my suggestions wouldn’t amount to much. Humph…

Anyway, here’s my take on the night straight from my comfy red leather couch:

David ArchuletaWhen You Believe

Well, the kid disappointed me for the first time this year and I am NOT happy about it. Not at all. This is one of my favorite Stephen Schwartz songs from the animated film THE PRINCE OF EGYPT and instead of showing off the beautiful lyrics and soaring melody, we were treated to a boat load of vocal gymnastics, most likely aimed at getting a “that was hot, dawg” from Randy. If emulation is a sincere form of flattery then Mariah should be pleased but I was not. I was looking forward to the kid using his power vocals to bring this song up to new heights but instead he opted for pleasing the PTB. He is young but that’s a hard habit to break after awhile, according to my friends in the “biz.” He’s safe no matter what he does so I wouldn’t worry about him.

Carly SmithsonWithout You

She needed to come back big this week and SHE DID!!! Thank God Mariah covered this one (along with Clay Aiken – whose version I really like – and, of course, the great original rendition from Harry Nilsson) because I really couldn’t hear her singing ANYTHING else from this catalog. Of course, the judges decided to try to put the breaks on her comeback by attacking her lack of confidence – which I thought was in the best shape last night than it has been in the past few weeks — but I thought she held her head up high and let them rant. Don’t let them get into your head, girl! You keep coming out and singing like you do and you’ll be just fine. However, I did through some votes her way in case others have gotten lazy because she needs to make the Top 5 and I want to see her there.

Syesha MercadoVanishing

Well, another trip into vocal gymnastics land and I was totally bored by the performance. I didn’t know the song, it didn’t thrill me much but I will say that she has a very powerful instrument and she is a decent performer. Might be a bottom feeder again this week.

Brooke WhiteHero

I loved that she did a stripped version of the song – solo piano and voice only. Made her stand out from the others and once again showed a musical vulnerability that is very appealing for her. Yes, she is being labeled as predictable but I’d like to say that she is a reliable musician – you know what you’re going to get from her and she does it very well. However, this show is about big and loud and I’m afraid that her time may be coming to an end. Look for her in the chairs instead of the couches this week.

Kristy Lee CookForever

Another country-fied version that obviously suits her vocal style but is wearing on me more than Brooke’s perpetual innocence. I’ll give her credit for taking the bull by the horns and staging a well calculated comeback after starting so badly but her time has come to mosey on down the trail. Should be in the bottom tonight and hopefully going home.

David Cook Always Be My Baby

Another week and other interesting song twist from Mr. Cook. A haunting, dark turn on this sugary pop number actually held my attention from start to finish. Gotta say that I liked it! Ok, so some are not digging the stalker quality but Sting and Clay have shown that it can work musically and this boy can as well. I think we may have found our Idol for this year, gang. Sure, it will be the battle of the Davids but this is the one that deserves to win it all. He will be safe.

Jason CastroI Don’t Wanna Cry

From the sublime to the ridiculous – IMHO he had no business singing this song. Didn’t work for him at all. This millennium’s Alfred E. Newman is just not doing it for me but the tweenies are so over the moon about him and Archie that they are dialing their fingers off for them. He may make the bottom three but he won’t go anywhere until he makes the Top 5 – at least I hope he goes at that point.

So, if my hearing aid was working well last night, I’d go with:

Kristy Lee Cook

Syesha Mercado

Brooke White as our bottom feeders this week with “das boot” going to — finally, I hope — Kristy Lee Cook.

After last week, however, anything CAN happen…and usually does…

Carry on!

J

PS – Yamin, Elliott’s going to be on the results show?  Groovy!!!  Looking forward to hearing his smooth vocals once again.

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“Yo, Adrianne…!” Idol is back and if the first two shows are any indication, it’s a leaner and less meaner edition of what we’ve come to know and love over the last six seasons.  A balanced package of good and bad auditions, more heart wrenching background stories from the get-go and Simon grows a sympathetic hearts?  YIKES!  It’s Christmas all over again! 

 

So far I’m digging what has come out of the first four hours and first two audition stops – ok, we had to have the obligatory bad impressions of Kelly Clarkson hits as well as shots of crowds in hot stadium seats singing for the cameras  but for the most part, the editing was tighter and moved through the worst folks faster than Taylor Hicks was dropped from this label (big mistake, Arista, but that’s another blog).  We haven’t seen anyone with instruments yet, but hopefully that is forthcoming.  I’m looking forward to seeing and hearing some good musicianship but I am struggling a little with the number of semi-pros supposedly auditioning and making it to Hollywood (Carly Hennessey and Kristy Lee Cook come to mind).  I’m a bit of a purist when it comes to wanting to find the best UNTAPPED talent in AMERICA but some of the back-stories  are  compelling enough on these folks to want to give them a shot.  I guess I’ll wait and see if Hollywood takes some of them out and see who makes the top 50(?) this season.  Now, I still wish they would bring back the wildcard round…

 

Let’s get on to my 10 second takes on the featured contestants from the first two stops.  First up…

 

“Philadelphia Freedom, shine on me…”

 

Joey Catalano – “the biggest loser…NOT!”

I was pleasantly surprised by the nice, smooth voice  because after the build-up I wasn’t sure what would come out of his mouth.  For a change I wasn’t disappointed by the great personal package/bad voice syndrome — and he’s a gentleman to boot!  Looking for more good things to come from this young man in Hollywood.

 

Yuka – “walk like an Egyptian”

Wasthis guy for real???  Likes Mr. Bee Gees, eh?  Ouch.  At least Simon didn’t totally blast him for being a bad singer.

 

Melanie Nyema – “Taylor’s Backup singer”

Up beat personality… nice voice… but Mindy Doo she ain’t.  Bit of a let down.

 

James Lewis – “the tour guide”

Anyone who says he’s unique makes me nervous – Moses couldn’t go down any further that where that dude sent him.  The canary yellow suit didn’t help, either.  Reminded me of LOUD MOUTH FROG

 

1st set of forgettables:

Nick Stano – “Clay Aiken, he ain’t”

Sybill White – “too many musical personalities to deal with”

Zhengzhong Yu – “too sing song for me…”

 

1st set of brief but great voices:

Junot Joyner – “now THAT’S what I call the blues…”

Jose Candelaria – Even in Spanish, it was good!

Jonathan Baines – I liked this kid a lot!

 

Temptress Browne – “Mama’s little Linebacker”

In waaay over her head but what a sweet girl.  Simon really was nice to her and I like that he’s showing  his humanity a bit more, particularly with those who aren’t trying to use the show for their 15 minutes of fame (nah…folks don’t really DO that DO THEY?)

 

Mark Hayes – “he thinks he’s funny… HA!”

Never sing a Christmas song to audition…doesn’t work unless you’re Bing Crosby.

 

“Udi” Sampat – “Hammer-time?”

Sings like an accountant and I should know (my hubby is one and he can’t sing either!)  Nice, delusional fellow who should stick to counting beans.

 

Alexis Cohen – “one scary vet”

Sings on pitch and could make it as a cover band singer but definitely NOT as an AI contestant. However, how much do the producers wind these people up?  It’s just not necessary and it’s NOT good TV, trust me.

 

Angela Martin – “a good mother”

Good, strong voice but I agree with Simon that she needs to lose the “wedding singer” posture and develop her own style.  Her back story will have everyone rooting for her and her daughter.

 

Loud — LoudER – LOUDEST!

Alyse Wojciechowski

Teresa Anello

Brandi Park

 

And in the totally WEIRD category…

Milo Turk – “the worst singer-songwriter EVAH!”

 

Kristy Lee Cook – “Outback cage-fighter”

Very country, mellow alto, more like Carrie than Kellie.  I didn’t notice the 60’s vibe but on second listen, I could hear it. She could also be our first “ringer” of the season – someone who has already tried to make it and failed.  We’ll see.

 

Ben Haar – “A Max Klinger wanna-be”

Any guy who dresses like Princess Lea and looks like Jabba the Hut is bucking for a Section 8!

 

Pedro Rivera – in a word, NO!

 

Shekhinah Bathyehudah – “Channeling Patti LaBelle…”

…and badly, I might add.

 

Paul Marturano – “Paula’s latest stalker”

He actually has a decent voice but the song was way too creepy – ingenious but creepy nonetheless.

 

Beth Stalker – “Little Liz”

Lovely alto voice that’s more suited for cabaret work but Randy & Paula put her through anyway.  Shouldn’t make it past the Hollywood Round.

 

Chris Watson – “A legend in his own mind…”

…but he CAN sing and he IS good.  Hubby thinks he’s a pretty boy and I agree.  Hopefully the judges will chew him up and spit him out in Hollywood.

 

Christina Tolisano – “Princess Lea, duh…”

A strangely, wooden performance.  She can sing but had no affect whatsoever.  The costume did in any legit chance of getting the judges’ attention.

 

Brooke White – “the Nanny”

Sweet voice and heartfelt deliver.  She’s GOT to be a Mormon.  Reports are that she’s another ringer.  Hummm…

 

After Philly, the groups heads south:

“It’s a kinder, gentler audition process deep in the heart of Texas…”

 

Jessica Brown – “Rehab Momma”

Compelling back story, seemed to catch the attention of the judges from the get-go,

nice, country sounding voice – sounds like a recipe for a golden ticket.  Wonder if she’ll get through the Hollywood Round unscathed? 

 

Paul Stafford – “big time baseball man”

Elliot Yamin he is NOT but seems like a lot of fun to hang with. 

 

Beth Maddocks – “Kelly wanna-be”

A “disaster” of an audition, fur sure.  High, shrill and lifeless. No ma’am.

 

Esteban Deanda

Victoria Metz                3 “bad” (and not in a good way) Amigos

Drucilla Wideman

 

Alaina Whitaker – “Carrie looks like her”

Big, strong country vocal with a big, strong country ego to match.  Will probably go out clubbing in Hollywood instead of practicing because she obviously doesn’t need it…*ugh*

 

Gregory & Mia Tobias – “Opera twins”

It sounded like a butchered version of something from “A Light in the Piazza” but it was so bad I really can’t be sure.  Opera it wasn’t.  Confusing it was!

 

Bruce Dickson – “The 19 year old Virgin”

Ok, this back story is the oddest one I’ve seen in the seven years of Idol.  I thought he shouted too much but I thought he had a good voice.

 

Pia Easley – “a model background singer”

Looks a bit butch for me but she has a great sound.  Ought to be interesting when she gets to Hollywood.

 

Brandon Green – “a most unusual collector”

I can’t resist but… at least it wasn’t like nails on a chalkboard!  I thought he shouted a tad and he didn’t need to because he could hit those notes but he sounded good.

 

Kayla Hatfield – “a true survivor”

Wow! Another Joplin clone but this one had more of the voice to handle the song and got the sympathy vote from Simon, no less.  Won’t last past Hollywood.

 

Another group of “thanks, but no thanks…”

Erick Maudlin

Charles Markham

Tristan Clements

 

Kady Malloy – “a very impressionable gal”

She has a great voice and can mimic some of the recent “greats.”  The advice they gave her should be taken as gospel before she gets to Hollywood.

 

Douglas Davidson – “I don’t want what he’s on”

Too weird for words and a monotone to boot.  Just what was in that water bottle? By the way, didn’t he look a little like Bill Gates to you?  

 

Angela Reilly – “the newlywed”

Another wedding singer but with worse moves.  At least she could carry a tune but not very far.  No need to but the new hubby on the spot – how rude!

 

Kyle Ensley – “the politico-in-training”

Broadway nerd meets QUEEN – yikes! BUT…he did have a decent voice and sang with conviction ( I disagree with the academic comment).  Won’t last past Hollywood but he will be interesting to watch. 

 

Tammy Tuzinski – “her heart will go on…but her voice…”

Is there a personality in this person?  Or a voice?  Talk about your “deer in headlights.”  Unfortunately, that was painful.

 

Colton Swon –

Whoa!  Strong voice, different hair but you can tell he’s in a bar band.  I’m glad he went through on his talent but Hollywood will be another story.

 

Ok, what was with all the cross-gender craziness?  Stoopid.

 

Drew Poppelreiter – “I guess his tractor’s sexy…”

All-American boy with a decent voice  who will get chewed up and spit out in Hollywood. 

 

Kyle Reinneck – “guy-liner from hell”

Rocker dude with a bottle tan?  I’m confused.  And the singing (or lack thereof) confused me even more.  Daughtry has nothing to worry about.

 

I was waiting for the Kelly Clarkson tribute and I wasn’t disappointed – drat!

 

Nina Shaw – “Kelly’s Homegirl”

What’s with the “old fashioned” critique?  I’m with Randy on this one – I liked her voice.  I think they made her a tad nervous with all the bantering before she sang (rewind it and see what I mean) and that may have taken some wind out of her sails but I figured she’d at least make it to Hollyweird.  From there, it’s anyone guess…

 

Renaldo Lapuz – “Liberace Meets William Hung!”

Well, at least he sang with conviction and reckless abandon…AND…he got a hug from Simon (priceless!).  Now, let’s all link arms and sing…”I AM YOUR BROTHER…”

 

Next stop – SAN DIEGO and the return of the Statute of Liberty…See you then!

 

 

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Clay Aiken Joins Broadway’s `Spamalot’

NEW YORK (AP) — Clay Aiken is going from “American Idol” to Eric Idle’s “Spamalot.”

Aiken will join the Broadway cast of “Monty Python’s Spamalot” on Jan. 18, playing one of the leads, Sir Robin, in the Tony Award-winning musical directed by Mike Nichols.

“I really couldn’t have asked for a more wonderful group of people to work with,” said Aiken, who became a recording and concert star after his appearances on the TV series “American Idol.”

“Let’s not lie, the chance to work with legendary creative minds like Mike Nichols and Eric Idle is, on its own, a reason to jump at this opportunity.”

Aiken will appear in the show, which is based on the film “Monty Python and the Holy Grail,” through May 4, 2008. The musical’s book is by Idle, an original member of the Python gang, and its score is by Idle and John DuPrez.

“Clay Aiken is amazing beyond that glorious voice,” Nichols said. “Turns out he is an excellent comic actor and a master of character.”

Maybe Simon was right after all – Clay is perfect for Broadway and the part of Sir Robin will suit him just fine. I guess I’ll be embarking on a road trip to NYC in January! Any excuse to go to “the city” is OK with me…

Break a leg, Aiken – I think you’ll be a smash!

ETA – and there’s MORE!  Read on, McDuff…
Clay Aiken, who became a music superstar following his success on the American Idol television series, will join the Tony Award-winning Best Musical, Monty Python’s SPAMALOT, making his Broadway debut in the role of Sir Robin, at the Shubert Theatre, New York, from January 18 to May 4, 2008.

Tickets are available online now at telecharge.com or by calling (212) 239-6200/(800) 432-7250.

Directed by Mike Nichols, who won his eighth Tony Award for his direction of the new musical, Monty Python’s SPAMALOT has a book by Eric Idle, “lovingly ripped-off” from the screenplay of the Pythons’ best- loved film, Monty Python and the Holy Grail by Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin. The music is by Eric Idle and John DuPrez.

Clay Aiken, who has sold more than 6 million albums; co-authored a best-selling book; and, played six sold-out concert tours, said “I really couldn’t have asked for a more wonderful group of people to work with. Let’s not lie, the chance to work with legendary creative minds like Mike Nichols and Eric Idle is, on its own, a reason to jump at this opportunity. But, that’s not all. The producers and creative folks I have had the chance to meet and work with so far have been unbelievably welcoming and wonderful. They’ve really made me feel at home already, and I haven’t even started yet!”

Director Mike Nichols said: “Clay Aiken is amazing beyond that glorious voice. Turns out he is an excellent comic actor and a master of character. People will be surprised by his wide ranging talent, since the first impression is of great country charm and a singer to remember. This guy is not only a star, he is a lot more. We are lucky to get him for SPAMALOT.”

SPAMALOT author and original Python Eric Idle commented: “This is great news. I have been a Clay Aiken fan ever since I took my daughter to see him live on the second season of American Idol and she held up a big sign of his name. Maybe now it should read ‘American Idle.'”

Other members of the SPAMALOT creative team include Casey Nicholaw (choreography), multiple Olivier Award-winners Tim Hatley (sets and costumes) and Hugh Vanstone (lighting) and Acme Sound Partners.

Winning more awards than any other show in the 2005 Broadway Season, including the Tony Award for Best Musical and the Grammy Award for Best Cast Recording, SPAMALOT has set box office records since opening on Broadway to critical acclaim in March, 2005 at the flagship Shubert Theatre.

Monty Python’s SPAMALOT celebrates one year in London’s West End at the Palace Theatre this week. SPAMALOT is also on National Tour around the US and is playing at Wynn Las Vegas. An Australian production will open in November in Melbourne.

Monty Python’s SPAMALOT is produced by Boyett Ostar Productions, The Shubert Organization, Arielle Tepper, Stephanie McClelland/Lawrence Horowitz, Elan V. McAllister/Allan S. Gordon, Independent Presenters Network, Roy Furman, GRS Associates, Jam Theatricals, TGA Entertainment and Live Nation.

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Look, gang, I’m a peaceful blogger/podcaster who reports IDOL news where I can get it.  As you may have noticed, my March post regarding the recant has been removed because I forgot to site my source – something I’ve apologized for and will try not to repeat in the future.  If I have to remove the latest post on Clay I will as well.  I’m sorry if this has caused problems in the Clay Nation but I’m getting so fed up with all the angst and mudslinging that I’m about ready to give up on being a Clayfan altogether.  I really like the man but the fandom is just too out of control for me.  I’ve always tried to back him up and be supportive but I’m not a blind follower and have said things that others have not appreciated – to which I get slammed.

No. Thank. You.  I don’t need this.

J

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idol_topper.jpg

This looks about right, gang, but I’m not surprised our sweet Melissa placed at 5th overall and that an under-rated Diana De Garmo ended up last. The top four were dead on IMHO but I would have thought that Daughtry’s numbers would have been a little closer to Clay, given his ability for radio airplay. Then, again, those Clayfans know how to “stand by their man” on any given day!

You can read all of the article and the hilarious comments here.

What say you all? On the money or all washed up? Let the discussion begin!

Carry on!

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